Tag Archives: solve sundsbo

more of more

Terry Richardson already brought the hotness with plus-sized model Crystal Renn in the upcoming “Size Issue” of V Magazine, and now another one of my favorite fashion photogs’ pictures have been pre-released for gawking/discussion. Solve Sundsbo shot “Curves Ahead,” a spread of bigger babes styled by Nicola Formichetti.

Plus-sized models, models without airbrushing, and “normal-looking” models are always generating controversy and this editorial is no exception; its already garnering tons of comments over on NYMag. Among the more intelligent comments are people stating the obvious: that the outfits aren’t that great (sorry, Nicola) and that V is just generating hype. Indeed, dedicating a whole issue to size draws attention to the call for models of all sizes, but ultimately isolates/phenomenizes (I know it’s not a word but I don’t care) it, and works against its acceptance into the mainstream; as opposed to say, sneaking in some editorials featuring diverse models.

Either way, the pics are below. I don’t enjoy as much as the Richardson shoot but the stylist probably did not have much to work with. When it comes down to it, there are just not that many truly fashionable options for larger women (or men for that matter*).

* Last week when I was home for the break, I was upset by a conversation with one of my brother’s friends. We were discussing fashion, and he very earnestly told me he wanted to try out different styles and update his wardrobe to be more modern, but that he was just too big to fit into any “cool” clothes. To be fair, this man is not really even thaaat big. He is probably a size 48/50 jacket. But for once, I was at a loss. I was dismayed at the embarrassment he must feel when he tries to buy something he likes and they don’t have it in his size. I gave him some pretty pathetic advice like accessorizing or investing in some custom shirts, but the reality is I really didn’t have any good advice for him.

look noir obscur

I have been feeling this look all winter long and it’s perfect for the holiday season. It’s sophisticated but super easy to pull off. Rouge Allure Lipstick in Hysteria, and any matte dark grey shadow all over the eye.

sos: save our skins

In the last couple of weeks, a few unfortunate things (spots) have surfaced. I won’t bore you with the gory details but my facial flesh has totally been acting out; it could be the weather, or the samples clogging our offices (fashion office/showroom/sample closet employees’ common complaint: fibers in the air clog pores), but whatever it is, it must be stopped. I have been scanning the airwaves for a peaceful resolution and it seems I may be on to something. Retin-A and retinol. More info on which is better, which is more appropriate for one’s skin, what the essential differences are, and whether you need to start using it now (like everyone has been telling me). I’ve got a derm, a chemist whose specialty is antioxidants, a skin professional, and a pharmacist all working on it. I have also started an initial trial of a nightly retinol cream. Excited to report back with details soon.

dollface

Next season’s ultrafeminine lingerie details, bows, ruffles, and ballerina-inspired looks call for some equally girly makeup. I’d like to try out some of these at the gallery or maybe out one night to contrast with a more punkish outfit. From top left, red lips and pastel eyes at Viktor + Rolf; pink cheeks and frosted gloss at House of Holland; Pat McGrath created a doll-faced look with matte white shadow on the eyes, extra eyelashes with many layers of mascara at Louis Vuitton, while hairstylist Guido decorated enormous afro wigs inspired by Japanese Manga comics with girly bows; pearly white eyeshadow at Scognamiglio; MAC makeup artist James Kaliardos accentuated pink eyeshadow with grey liquid liner, fake lashes, and a peachy lip at the Ruffian show; Ruffian eye closeup; it’s all about Blythe doll eyes at Miu Miu, where Pat McGrath affixed falsies to top and bottom lashes; To get François Nars’ exaggerated eyes at Marc Jacobs: use a bright white eyeliner pencil to draw an inch-wide vertical strip from the lashline to the brow (a stage makeup trick from the ’70s that makes eyes look wider), then trace black liquid liner along the top and bottom lashlines, extending the lines beyond both the inner and outer corners; jewel tones and glossy aubergine lips at Issa; backstage at Miu Miu; cupcake cutouts at Viktor + Rolf; Coco Rocha photographed by Solve Sundsbo for Numero.

shining, gleaming, flaxen, waxen

He may not be a hairdresser, but Solve Sundsbo knows how to make hair look fabulous. The Norwegian fashion photographer, who is a favorite of Tom Ford, captures the mostly nude models’ hair in a really primitive, organic way. Here, hair has a life of its own – it’s like an exotic thatch of vegetation atop the model’s beautiful face blooming from within. This shoot is like a Pantene commercial on acid. The hair is incredibly structural which I think is the real success; it somehow manages to steal the spotlight from these gorgeous women. In case you were wondering, hairstylist Luigi Murenu teased these coifs to perfection and pumped up the volume with curls, braids, and crimps. It would be fun to try and replicate one of these on Halloween for my zombie costume. It’s no surprise Murenu has also done hair for Tim Burton: Helena Bonham Carter (and possibly Johnny Depp) has rocked at least one of these looks. And I’m sure more than a few bottles of Elnett were used.

from Pop Magazine